Why I Don't StopPeople might wonder why I don’t just stop. But I don’t come at this story from your angle. I’m not ashamed of this truth, and my determination is not burdened by their "Managed Mystery." I stand here for my mother and for the artwork itself. But there is something you need to understand: most of the artwork I am sharing with you is already gone. It is out there, scattered among the public. The Van Gogh, the Picassos, the Manet... they are out there. I am not shouting from the rooftops to get this artwork sold; it’s already gone. I am an Auditor of a loss they refuse to acknowledge. However, the Alexander Calders and the authenticated Jane Peterson painting remain forensically secured. They are the physical anchors to a story they are trying to pretend doesn't exist. Along with the handwritten notes. A Statement of StandingLet’s be very clear: I am NOT an armchair detective. I am a whistleblower with first-hand art encounters from 1991 and 1992 involving my mother. Art encounters 45 minutes from Palm Beach. Standing with Mary. Standing with Isabella. Standing for Boston.
Thank you, Suzanne Kenney - daughter, mother, grandmother - Persistence is a Duty! Web Developer (Websites by Suzanne), Creator (Suzanne's eBoutique), Book Author (Crime & Canvas), Podcaster (Crime & Canvas Podcast)
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