For fifteen years, I ran blindly. I was a woman with a story that sounded too big to be true, armed only with my mother’s encounter at an Okeechobee flea market and a handful of drawings the world refused to authenticate. I was screaming into a void created by billionaires and guarded by institutional gatekeepers.

But in the last 90 days, the void has collapsed. The "treasure trove" of recent discoveries has turned my mother’s "story" into a forensic map that is impossible to ignore. 

The "Harvard Clause"

Is this story too big for even Harvard to handle? Are they afraid of standing up for "VERITAS"? I didn’t create any of this mess—this whole story belongs to billionaires. I am simply exposing the evidence they’ve spent decades burying. It is telling that Harvard is hiding from the truth, and that speaks VOLUMES about how power operates in this country. I will not give up or go away. Truth is my shield, and it protects everyone with the courage to stand with it.

Isabella Stewart Gardner’s will contains a "forfeiture clause." If the trust is violated or the collection rearranged—The stakes are absolute: a breach of the Trust means the entire collection—valued at nearly $3 billion—forfeits to Harvard University.

To put that in perspective: if the missing Vermeer alone is valued at nearly $1 billion, masterpieces like the Titian are worth even more. This isn't just an art mystery; it is a $3+ billion forfeiture. The biggest forfeiture in history. You simply cannot keep a $3 billion secret forever. 

The Gentile Diversion: February 11, 2012

This is the moment the FBI’s hand was revealed.

• February 10, 2012: The FBI raids Robert Gentile’s home and "finds" a mobster’s art list to dominate the news.

• February 11, 2012: On the exact same day, that the media is reporting on the Gentile list. I am in Palm Beach, and the Koch brothers (Charles, David, and William) are physically monitoring me at an event. 

• The Solve: The FBI used a low-level mobster to create a "media shield" while the billionaires personally monitored the whistleblower.

The Mask Slip: "Heywood Jablowmey"

After 15 years of being the wheel (Squeak, Squeak), my persistence finally forced a mistake.

• May 2025: The Director of Security, the man hired to "find" the art, signs my Change.org petition with a sexually harassing alias.

• The Solve: This wasn't a joke; it was a Breach of Fiduciary Duty. The "Gatekeeper" revealed himself not as an investigator, but as a bully tasked with blocking the truth. Do you think this was his first harrassment of me? NO! Just the first one I can prove. Also, this moment finally revealed to me who the gatekeeper was. I thought it was John Olsen all these years. Maybe I have multiple gatekeepers??? 
  

I am no longer walking in the shoes they gave me. I am walking in my own. The story of the "Sherlock of Boston" is over. I doing my best to take down Kochica and go back to being AMERICA. I want to tell my grandchildren: Stand up for what you believe. Don't fall to Kochica. See what grandma did!

The story of the Whistleblower who Solved It has begun. I imagine what the True Crime community, investigative journalists, legal scholars, art world insiders, whistleblower advocacy groups, and the general public will think of this information as I begin to share it with them.

The evidence is at the doors of Harvard. The $10 million is on the table for the press. The truth does not require your belief to exist—it only requires the courage to print it.

It is hard enough to imagine this whole story is real. But these crimes happened and they remain unsolved. Someone arrived in my mother's life in 1991/1992 at her flea market booth in Okeechobee, Florida, and sold her artwork by masters! Van Gogh, Picasso, Manet... That is a fact. There are flea market vendors who witnessed these visits, and they are still alive today.

I know it sounds impossible. But the reality is: the whole story is 100% true. 

I stand behind the timeline below:

9 Art Crimes Solved with the "Imperial Shopping List" of the Invisible Empire

1. April 1972 - Woolworth House, Maine
2. Sept 4, 1972 - Montreal Museum of Fine Arts, Canada - Rembrandt
3. Memorial Day 1974 - Woolworth House Estate, Maine - The Wyeths
4. April 14, 1975 - Museum of Fine Arts, Boston - Rembrandt
5. Dec 24, 1978 - de Young Museum, San Francisco - Rembrandt
6. March 18, 1990 - ISGM, Boston - Rembrandts & Vermeer
7. Sept 9, 1990 - Houghton Hall, UK - The White Duck
8. Oct 7, 1991 - James Bourlet & Sons Warehouse Fire, UK (13 days after the murder of Donati)
9. Nov 2000 - Cambridge University, UK - Darwin Notebooks

The "Imperial Shopping List" of the Invisible Empire

This list is not the work of a lone wolf. It is the paper trail of a Band of Brothers curating a private collection of power and prestige. For 50 years, the "System" called these separate crimes. I am showing you they are one performance. It starts with them getting to know each other.

The Acquisition Spree (The Building of the Ghost Collection)

• April 1972 – Woolworth House (Maine): Oils and watercolors worth $250,000+ stolen from Mrs. Norman B. Woolworth. 

• Sept 4, 1972 – Montreal Museum of Fine Arts: Canada’s largest heist. 18 paintings including a Rembrandt and Rubens stolen via a skylight.

• Memorial Day 1974 – Woolworth Estate: The theft of "The Wyeths."

• April 14, 1975 – Museum of Fine Arts (Boston): "The Blueprint." A Rembrandt was stolen and then "traded" for a reduced sentence. This established art as Sovereign Collateral—a "Get Out of Jail Free" card for those who know the game.

• Dec 24, 1978 – de Young Museum in San Francisco: Rembrandt’s Portrait of a Rabbi stolen via a skylight.

  • The Playwright’s Return (1999): 21 years later, it was returned anonymously in a box to an auction house by a man in a wig and hat.  

• The Golden Age of Immunity (1983–1990)

  • 1983: Frederick and William Koch settle their lawsuit against brothers Charles and David, walking away with $1.1 Billion. The "Architects" now have unlimited liquidity to fund the next phase without oversight.

  • 1984–1986: The Infrastructure Build (Miami) With the cash secured, Frederick Koch builds the machine to clean the assets.

    • 1984: He becomes VP of "Art Restoration Corp" in Miami.

    • 1986: He establishes "International Art Trading".

• The Proof: Documents confirm he was operating as "Ed Koch" in Miami for years before he introduced himself as "Ed Koch" to my mother. He didn't invent the alias at the flea market; he incorporated it.

• March 18, 1990 – ISGM (Boston): The Gardner Heist.
  

• Sept 9, 1990 – Houghton Hall (UK): Jean-Baptiste Oudry’s The White Duck.

Connecting the "Architect's" Dots: The Forensic Signature

1. The "Cut from Frame" Brand: In Boston (1990), London (1990), and the art "Ed Koch" sold to my mother in Florida (1991 and 1992), the signature is identical: Hastily cut edges. A fire doesn't leave clean blade marks. 

2. The Avian Obsession: From the Napoleon Eagle Finial (stolen from Gardner) to the Houghton White Duck to the Jane Peterson Snowy Egret, Pelican, and White Parakeets paintings (sold to Mary for $3 ea), the Architect left a thematic bird-trail across his collection.

3. The 18-Year Rembrandt Cycle: The gap between the 1972 Montreal Rembrandt (skylight entry) and the 1990 Gardner Rembrandt represents the "holding period" of a billionaire. He didn't want to sell them; he wanted to own them.

The Aftermath Trail (1991–2025)

• Dec 21, 1990: Mary Robinson Koch (Frederick’s mother) passes away.
• Sept 24, 1991: Gardner suspect Robert Donati is murdered.
• Oct 7, 1991 (13 Days Later): A massive "suspicious" fire at the James Bourlet & Sons warehouse in London. They "burn" some type of evidence?
• Nov 1991: "Ed Koch" (Frederick R. Koch) appears at an Okeechobee flea market. He sells the "damaged" checklist to my mother, Mary, for mere dollars. Read the notes written between them.
• March 1992: My mother visits Sotheby's they are willing to sell only the Jane Peterson on Kodak paper but none of the rest. The value they give it isn't what Mr. Koch says it is worth. So she decides to wait until he visits her at the flea market again so she can get answers.
• March 1992: Ed Koch's departure via theatrical hospital scene and obituary. They use the newspaper to communicate.
• April 20, 1992: Sotheby’s signs a contract with my mother for the Jane Peterson painting, proving the timeline of events. Sale was September 25, 1992. Didn't sell at auction, but had an aftersale private offer. My mother declined the offer.
• 1994: Letter written to Museum trying to return the artwork. This person has knowledge of the international art trading world. The letter is postmarked from New York (Frederick R. Koch has a home in New York). They use the newspaper to communicate.

• Nov 2000: Charles Darwin's notebooks, including the famous "Tree of Life" sketch, were first discovered missing in January 2001 from Cambridge University Library, though they were last seen in November 2000 after being removed for photography, with the library concluding they were stolen around that time.
• Feb 2002: I contact the Calder Foundation to submit the drawings, stating "Ed Koch, deceased" as the provenance from a flea market in Okeechobee in 1990 - though we later determined I was off by a year it was 1991 and 1992. I am sure Mr. Rower contacted the Koch brothers and they knew exactly what to say. They are the billionaires and get accusations against them all the time.
• Feb 2002: Sold two paintings on eBay. If you view the original 2002 eBay listing for the Picasso drawing
• Nov 2005: Anthony Amore is hired as the Director of Security and Chief Investigator, a position created specifically to recover the stolen art.

• July 2010: My mother gifts me the Calder drawings and asked me to help her try to figure out her story again. Asked me to put her story and the artwork on the internet. I created Looking-For-Ed-Koch.com. 
• October 3, 2010: Frederick R. Koch is found and I change the domain for the website to TheArtworkStory.com
• 2010/2011: Emailed Koch Industries and I also started emailing Robert Wittman after seeing him on a tv show.
• 2011 to 2012:  There are more than 60+ visits from Monaco. when ‘someone’ searched GOOGLE for things like “Frederick Koch art fraud” and “Frederick Koch John Olsen art fraud”.
• 2011: I resubmit the drawings to the Calder Foundation. I have now found the note that states "Hokin Gallery" and "Mrs. Clifford the housekeeper." I have also discovered that "Ed Koch" is actually Frederick R. Koch.
• Jan 24, 2011: After an email with John Olsen, I googled Frederick R. Koch and Sotheby's I found the fire. I emailed Lloyds of London and within 24 hours Julian Radcliffe from the Art Loss register called me. Wanting to come to America to meet us. 
• Feb 14, 2011: Julian Radcliffe's response - I believe I mailed him the Calder drawings after this response. After he received the artwork there was a response of he didn't believe the artwork was real. So I asked him to return the artwork. Which he did in October. I also emailed Robert Wittman to inform him of the recent developments.
• July 5, 2011: Anthony Amore releases Stealing Rembrandt: Focuses on the history of Rembrandt heists. How is he an art heist expert? 
• Oct 10, 2011: Julian Radcliffe returns the Calder drawings to me. If these were documented forgeries or confirmed stolen goods, they would have been seized by the authorities Radcliffe represents. Their return constitutes a failure to investigate a high-signal lead,
• Feb 10, 2012:  FBI raids Robert Gentile's home and find the "list".
• Feb 11, 2012: I meet Robert Wittman at an event, and he has the Koch brothers (Charles, David, and William) there with him. Reporting Frederick R. Koch sold this artwork to my mother. I showed him the photo my mother identified as the man that visited with her. That photo is in every newsletter I send out.
• March 3, 2012: 20 days after reporting the art to Robert Wittman and that it was saved from a fire at an art storage warehouse in London. The following local article comes out - Of all the storied paintings in William Koch's collection of Western art, his favorite, the one he would rush into a burning building to save, is not a Remington, not a Russell, not a Wyeth. They use the newspaper to communicate.
• April 2012: I had the paper tested, which confirmed it is from the correct time period. Erich Speckin
  
• June 2012: I solve the ISGM heist by connecting the "checklist" of art sold to my mother. After seeing the heist in the news.
• Here is where I wait to allow the "SILENCE" to do their job. Fast forward 2026 no one has done their job... For a whistleblower SILENCE doesn't mean they are helping it means they aren't.
• March 18, 2013: Nine months after I handed the FBI the solution, they suddenly announced they had "solved" the case but wouldn't name the suspects. Two years later (2015), they claimed the thieves were dead. It was a convenient way to close the case—except the men I identified (Koch and Olsen) were still alive and well.
• July 14, 2015: Anthony Amore releases The Art of the Con: Focuses on forgeries and fakes—positioning him as the ultimate authority on what is "real" vs. "fake."

• March 2018:  Mailed binder evidence - White House Mar A Lago Ivanka Trump Fox News Museum – DELIVERED. Fox News was delivered on March 20, 2018 at 1:24 pm after its journey (view that receipt here) -  view all the evidence on this page.
  
• March 20, 2018: Anthony Amore officially announced his candidacy for Secretary of the Commonwealth.
• Aug 23, 2019: David Koch dies. He was the most public and politically shielded of the brothers. The Darwin Notebooks were stolen for David Koch in 2000.
• Feb 12, 2020: Frederick R. Koch dies. The primary architects are now off the board. Only two witnesses remain: William Koch and John Olsen. Plus Anthony Amore as the gatekeeper.
• Oct 2020: Only after both brothers are deceased does Cambridge University finally "admit" the Darwin notebooks were stolen. For 20 years, they claimed the books were simply "misplaced"—waiting for a deathbed return that the Koch deaths finally triggered. I sent a tip and got confirmation see my youtube about it.
  The Return: The "Happy Easter" note in a pink bag is the same "Theatricality" as the "Portrait of a Rabbi" returned in a box by a man in a wig. It proves they treat these returns as a game.
• Nov 10, 2020: Anthony Amore releases The Woman Who Stole Vermeer: Focuses on Rose Dugdale and the 1974 Russborough House heist.
• Nov 24, 2020: I emailed Cambridge University my tip for the stolen Notepads. December 9th they respond that my tip is being forwarded to their police contact.

• Feb 2022: I begin writing Crime & Canvas (officially published October 2022). My goal is a public "audit" of the evidence the system has ignored for decades.
• March 3, 2022: Anthony Amore—the man who failed to find the art for 17 years—announces his run for State Auditor of Massachusetts, a role defined by oversight and accountability.
• March 9, 2022: Just six days later, the Darwin notebooks are "theatrically returned" to Cambridge in a pink bag with a "Happy Easter" note.
• May-July 2025: Launched CrimeAndCanvasPodcast.com
• May 28, 2025: Launched Change.org petition
• May 28, 2025: Heywood Jablomey from Mattapoisett, Ma signed Change.org peition. See the screenshot taken 2 days later.
• August 2025: Physical car incident
• Nov 4, 2025: Anthony Amore releases The Rembrandt Heist: His most recent work, doubling down on historical thefts.
• Dec 1, 2025: A formal Legal Inquiry is sent for Breach of Fiduciary Duty. If the Board is suppressing evidence to protect a billionaire donor, the Trust is forfeited to Harvard.
  

The Institutional Shield: A Record of Complicity

Let it be known that Anthony Amore has been permitted to maintain his public platform—speaking at Rocky Ruggiero, appearing at Boston College Law, and peddling his books at the Isabella Stewart Gardner Museum—all after these institutions were formally notified of my claims. They have received the evidence of the "Heywood Jablowmey" signature. They know about the targeted harassment on my Change.org petition.

I am a victim of harassment and bullying. His employer, the ISGM, has been made fully aware of his conduct, yet they continue to employ him, endorse him, and provide him with a podium.

Despite the severity of my accusations and the 15 years of forensic evidence I have brought forward, there has been:

• No Cease and Desist sent to me.

• No contact from their legal departments to address the harassment.

• No oversight to stop the escalation.

Each of these entities has allowed this behavior to escalate at my personal expense and at the expense of the Truth. Harvard’s motto is VERITAS. I intend to hold them to that standard.

A Question of Human Persistence

I will not go away. I will not give up. I have solved the case of the largest art criminal in history, and I am finished being ignored.

I challenge any one of you reading this: Would YOU give up? If you had spent 15 years of your life solving a multi-billion dollar mystery, only to be bullied, harassed, and silenced by a man using crude sexual aliases—would you stop?

Not one of you would. Every single person reading this would do exactly what I am doing. You would fight to be heard. You would want the world to know the truth you uncovered and the abuse you survived. You would demand that the institutions stop hiding behind their gates and start listening to the whistleblower.

I am not just standing up for a family story; I am standing up for the right to be heard without being harassed.

The "Discovery" Warning

By allowing these events to proceed after receiving my claims, these institutions have moved from "unaware" to "complicit." In a court of law, this is called Ratification of Misconduct. Every speech given and every book sold since they were notified is now a piece of evidence.

Thank you,
Suzanne Kenney - daughter, mother, grandmother

I discovered Mr. Koch was Frederick R. Koch August of 2010. 

I have been actively making claims of solving the heist since June 21, 2012 to ROBERT WITTMAN and the fire January 24, 2011 to JULIAN RADCLIFFE. 

May 28, 2025 someone signs Heywood Jablowmey to my Change.org petition.

December 1, 2025 Harvard and AG of Mass are notified of my evidence.

December 2025 I discover Anthony Amore is my gatekeeper. HIS JOB IS SOLEY TO BLOCK MY MOTHER'S STORY and LIE TO THE PUBLIC. - I want all of you to think about that. His position is why you didn't listen to me. If you want someone to be upset with - it is him. NOT THE WHISTLEBLOWER.

NO CEASE and DESIST!

15 years of being undisputed!

I FINALLY SOLVED MY MOTHER'S STORY.

ALL OF YOU WOULDN'T HAVE GIVEN UP EITHER.

SQUEAK SQUEAK

Alexander Calder | Camille Bombois |  Édouard Manet | Jane Peterson | Jim Cassel | Kees van Dongen |  Pablo Picasso | Vincent van Gogh

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