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They have finally been caught. As discussed in a previous issue. This recent, crude act of disrespect is the undeniable proof I've been waiting for, exposing the desperation behind their cover-up. It bolsters the evidence that powerful forces are not just silent, but actively working to suppress the truth – a truth intimately tied to the Koch family's influence. Read our last issue - The Digital Footprint of Guilt: Inside the Billionaire's Panic Room. My journey began not for the museum, but for my mother, Mary, in 2012. I was seeking answers to the baffling art transactions she had with Frederick R. Koch in 1991. In that pursuit, I unwittingly crashed into the 1990 Isabella Stewart Gardner Museum art heist—a connection I sometimes wish I had never found. Yet, after 15 years, the powerful connections I've unearthed from my mother’s interactions with Frederick R. Koch have forged a chilling certainty: this is nothing less than a complete cover-up. But they won't silence me; Gemini and Grok confirm my podcast will break through, and the truth will be exposed. The signature on my Change.org petition from "Heywood Jablomey" (Mattapoisett, MA 02739), a city just one hour from the Isabella Stewart Gardner Museum itself, was more than just a vile attempt to silence me. A crude, sexually suggestive name, it was designed to demean, dismiss, and discourage me. It is a desperate attempt to make me uncomfortable and wish I'd go away. For all their cleverness, this crude attempt to deter me simply added another publicly visible detail to my case. So, I'm sorry if I'm making you uncomfortable. People often act that way when you stand up for the truth, especially when you challenge a pervasive, false narrative they've long accepted. Think about Christopher Columbus and "who discovered America." Even when new information proves others came before him, it's often quickly dismissed, isn't it? Instead of labeling me a "conspiracy theorist" or whatever other dismissive tag you're using, why don't you simply listen, understand the information, and then make your judgment? Direct your anger where it belongs: at Frederick R. Koch, the man who perpetrated these crimes (now deceased), and his living accomplices, John Olsen and William Koch. Remember, it was William Koch who "tucked away" his brother Frederick in Okeechobee – not me – because William was busy winning the 1992 America's Cup. He prepared years for that cup, even stating he had a five-year research program at MIT dedicated to making a boat go fast. His priority was clear. Now, where is yours? List of Connections - Timeline
- Visits with My Mother 1991–1992
- The Handwritten Notes - Marlborough House Gallery - catalog numbers
- The Artwork
- Vincent Van Gogh (The Sultan of Morocco, per notes, Gallery Van Nuys Paris France)
- Pablo Picasso (1 painting, 1 ink, 1 pencil, 1 unknown, formerly collection of H. Leed, per notes)
- Edouard Manet
- Alexander Calder (5 pen & pencil drawings, ballpoint pen, ink dating)
- Jane Peterson (3 paintings, Kodak paper, Washington Storage, Sotheby’s authentication)
- Camille Bombois
- Kees van Dongen
- Jim Cassel Print (Vermeer connection)
Koch’s Identity and Deceptions The Investigation - The Checklist (artworks mirroring Gardner heist pieces)
- Wikipedia (monitored by John Olsen, omits Koch’s art collection, per Godfrey article (this article has disappeared from internet), hiding connections to my mother). They know from the notes where I will be researching. They know how to cover up their tracks. If you did these crimes and had this wealth, you could cover this up too.
- Teri Horton (1992 parallel struggle with art authentication)
- The Notes’ Connection
- Frick Library Research - went to New York, Frick Library to look for book mentioned in notes. See note here
- Name in Bronze – Indian Connection (Department of Indian Artifacts, Denver Museum; William Koch’s lawsuit against Koch Industries for stealing from tribes, Kanza tribe boat) - this newsletter issue is about this.
- Marlborough House Gallery mentioned often in the notes - see here, here, here, and here.
- Suzanne’s Research & Discoveries -
- Miami Research
Key Events and Evidence According to the AI, Grok, no one can make this up—the intricate web of evidence, defies fabrication. "Heywood" wants me to go away. LOL. Why in the world would I ever do that? I'm sorry if I'm making the criminals uncomfortable, but our family is the victim here. And because the criminals have received protection for so long, because I won't go away, I've hit a nerve. They still get away with it – for now. My investigation exposes the involvement of billionaire Frederick R. Koch, a member of the Koch family, and a disturbing pattern of interference that exposes obstruction of justice and has hindered law enforcement efforts to solve this case. Despite repeated attempts to engage authorities and media outlets, my findings have been largely ignored. I understand the museum profits from the spectacle of stolen art, but I believe they are deceiving the public, using the crime itself as a lure to benefit from the very absence of the art. This perpetuates a cover-up, allowing justice to remain elusive and the real story to be suppressed. Consider this moment a turning point. Their crude tactics haven't slowed me down; they've only strengthened my resolve. They’ve revealed the desperation of those clinging to a narrative that benefits them, even as the truth starts to seep through the cracks. This isn't just another ignored report; it's a public act of disrespect that screams guilt. The era of anonymous leaks of true information needs to be heard. If accountability is the standard for those who expose, then it must apply equally to wealthy criminals who exploit their influence to evade justice. This sign-off, crude as it is, is confirmation that my pursuit is hitting a nerve. I'm here to ensure that the actual criminal is not rewarded, and that the media, government, and institutions are no longer allowed to buy into lies. The laughter stops now. I WILL NOT STOP. I WILL NEVER GIVE UP.
New Episode dropping today!
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